few photos of burning than we have been fortunate to have with Michel Moglia and his organ fire. Hot hot show! And yet it was November 3 ... ... out in the evening ... on the Place des Halles d'Angouleme. Crosland
Thanks to Claude for these images.
Sunday, December 16, 2007
Basics Of Managerial Psychology
DJAÄMI ORGAN AND A FIRE IN THE SPOTLIGHT
few photos of burning than we have been fortunate to have with Michel Moglia and his organ fire. Hot hot show! And yet it was November 3 ... ... out in the evening ... on the Place des Halles d'Angouleme. Crosland
Thanks to Claude for these images.
few photos of burning than we have been fortunate to have with Michel Moglia and his organ fire. Hot hot show! And yet it was November 3 ... ... out in the evening ... on the Place des Halles d'Angouleme. Crosland
Thanks to Claude for these images.
Wednesday, December 12, 2007
Side Effects Of Sweeet And Low
Charente Libre.
CHARENTE FREE on 12.12.2007
Djaämi invited to wander in
Djaämi music, music that wanders between perfumes Arabists, Eastern and Balkan
Celine AUCH
When he starts he is known as the White Wolf, Jean-Marc Perissat laughs. And prefers to deflect expression. "Say rather I am known as the hop," says drummer drummer with long hair. As the beer flows freely in bars and Charente Angouleme where he started his career.
Friday also is an aperitif concert Djaämi that his group is launching its first album at the Crown Theatre. A self-produced CD, seven instrumental tracks inhabited by melodies filled with poetry, noted jazz and rock'n'roll corona.
"Music vagabond," said Jean-Marc prefers Perissat, causing the trio founded two years ago with his nephew, Louis Plaud young guitarist bassist drummer, and Patrick Rimbert violin and percussion. "We have no pretension. Let's say our music has flavors Oriental Arabists, the Balkans ... It's imaginary folklore. "
Djaämi, music that has wandered to the" Kennedy "in Angoulême, the" boatmen "in Saint-Simon and festivals such as Villages Sessions Villebois-Lavalette. Vagrant musicians who have chosen a country road near Marthon to illustrate their album. An old bike pulling a cart which does not even crowded all the instruments.
Musician touches everything
For Djaämi, Jean-Marc Perissat turned his battery, "which I hang a rack and darbuka dumbeks with a floor tom instead of the bass drum." A special set that reconverts when he plays with other groups, flirting between folk arranged Agricultural Machinery, Blues Benezit Bulgarian music with Guvetch, with medieval Iromanel, or jazz with Didier Philippe Parant and Fréboeuf. A community of musicians with whom Jean-Marc Perissat strenna its instruments for twenty-five years.
Born in Vienna, attracted by the thriving jazz scene of Angouleme in the early 80s, the era of the late jazz in France, the man has diversified, even playing in the USSR in 1990 just before the fall The empire's Gaspard de la Nuit.
Friday evening, it was the closest he comes back with Djaämi. To play scores "written, but also leave as free improvisation in jazz."
One hundred people have opened a subscription for this album. "Not the last, already warns Jean-Marc Perissat. Adding: "We had enough songs for a second or even up to five ideas!"
Aperitif concert this Friday evening at 18:30 in Theatre The Crown 1 allée des Sports. Free admission. CD on sale: 13 €. 
CHARENTE FREE on 12.12.2007
Djaämi invited to wander in
Djaämi music, music that wanders between perfumes Arabists, Eastern and Balkan
Celine AUCH
When he starts he is known as the White Wolf, Jean-Marc Perissat laughs. And prefers to deflect expression. "Say rather I am known as the hop," says drummer drummer with long hair. As the beer flows freely in bars and Charente Angouleme where he started his career.
Friday also is an aperitif concert Djaämi that his group is launching its first album at the Crown Theatre. A self-produced CD, seven instrumental tracks inhabited by melodies filled with poetry, noted jazz and rock'n'roll corona.
"Music vagabond," said Jean-Marc prefers Perissat, causing the trio founded two years ago with his nephew, Louis Plaud young guitarist bassist drummer, and Patrick Rimbert violin and percussion. "We have no pretension. Let's say our music has flavors Oriental Arabists, the Balkans ... It's imaginary folklore. "
Djaämi, music that has wandered to the" Kennedy "in Angoulême, the" boatmen "in Saint-Simon and festivals such as Villages Sessions Villebois-Lavalette. Vagrant musicians who have chosen a country road near Marthon to illustrate their album. An old bike pulling a cart which does not even crowded all the instruments.
Musician touches everything
For Djaämi, Jean-Marc Perissat turned his battery, "which I hang a rack and darbuka dumbeks with a floor tom instead of the bass drum." A special set that reconverts when he plays with other groups, flirting between folk arranged Agricultural Machinery, Blues Benezit Bulgarian music with Guvetch, with medieval Iromanel, or jazz with Didier Philippe Parant and Fréboeuf. A community of musicians with whom Jean-Marc Perissat strenna its instruments for twenty-five years.
Born in Vienna, attracted by the thriving jazz scene of Angouleme in the early 80s, the era of the late jazz in France, the man has diversified, even playing in the USSR in 1990 just before the fall The empire's Gaspard de la Nuit.
Friday evening, it was the closest he comes back with Djaämi. To play scores "written, but also leave as free improvisation in jazz."
One hundred people have opened a subscription for this album. "Not the last, already warns Jean-Marc Perissat. Adding: "We had enough songs for a second or even up to five ideas!"
Aperitif concert this Friday evening at 18:30 in Theatre The Crown 1 allée des Sports. Free admission. CD on sale: 13 €.
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